2 d animation

In 1989, Alias was chosen to animate the pseudopod in James Cameron's The Abyss, which gave the software high-profile recognition in movie animation. In 1990 this developed into PowerAnimator, often known just as Alias.[127]1984: Wavefront was founded by Bill Kovacs and others, in California, to produce computer graphics for movies and television, and also to develop and market their own software based on SGI hardware. Wavefront developed their first product, Preview, during the first year of business. The company's production department helped tune the software by using it on commercial projects, creating opening graphics for television programs. In 1988, the company introduced the Personal Visualiser.[128][129]1984: TDI (Thomson Digital Image) was created in France as a subsidiary of aircraft simulator company Thomson-CSF, to develop and commercialise on their own 3-D system Explore, first released in 1986.1984: Sogitec Audiovisuel, was a division of Sogitec avionics in France, founded by Xavier Nicolas for the production of computer animation films, using their own 3-D software developed from 1981 by Claude Mechoulam and others at Sogitec.[130]1986: Softimage was founded by National Film Board of Canada filmmaker Daniel Langlois in Montreal. Its first product was called the Softimage Creative Environment, and was launched at SIGGRAPH '88. For the first time, all 3-D processes (modelling, animation, and rendering) were integrated. Creative Environment (eventually to be known as Softimage 3D in 1988), became a standard animation solution in the industry.[131]1987: Side Effects Software was established by Kim Davidson and Greg Hermanovic in Toronto, Canada, as a production/software company based on a 3-D animation package called PRISMS, which they had acquired from their former employer Omnibus. Side Effects Software developed this procedural modelling and motion product into a high-end, tightly integrated 2-D/3-D animation software which incorporated a number of technological breakthroughs.[132]1989: the companies TDI and Sogitec were merged to create the new company ExMachina.Computer animation expands in film and TVThe decade saw some of the first computer-animated television series. For example Quarxs, created by media artist Maurice Benayoun and comic book artist François Schuiten, was an early example of a CGI series based on a real screenplay and not animated solely for demonstrative purposes.[133] VeggieTales, an American Christian media, is also one of the first computer-animated series. Phil Vischer came up with the idea for VeggieTales while testing animation software as a medium for children's videos in the early 1990s.The 1990s began with much of CGI technology now sufficiently developed to allow a major expansion into film and TV production. 1991 is widely considered the "breakout year", with two major box-office successes, both making heavy use of CGI.The first of these was James Cameron's movie Terminator 2: Judgment Day,[134] and was the one that first brought CGI to widespread

JF (2005) As-rigid-as-possible shape manipulation. ACM Trans Graph (ToG) 24(3):1134–1141. Google Scholar Kaji S, Hirose S, Sakata S et al (2012) Mathematical analysis on affine maps for 2D shape interpolation. In: Proceedings of ACM SIGGRAPH/Eurographics symposium on computer animation (SCA). Eurographics Association, Goslar Germany, Germany, pp 71–76, Kawamoto, Yotsukura T, Anjyo K et al (2008) Efficient lip-synch tool for 3D cartoon animation. Comput Animat Virtual Worlds (CAVW) 19(3–4):247–257. Google Scholar Kazi RH, Grossman T, Umetani N, et al (2016) Motion amplifiers: Sketching dynamic illustrations using the principles of 2D animation. In: Proceedings of the 2016 CHI conference on human factors in computing systems (CHI). ACM, New York, NY, USA, pp 4599–4609, M, Kanamori Y, Mitani J, et al (2013) Motion frame omission for cartoon-like effects. In: Proceedings of international workshop on advanced image technology (IWAIT), Nagoya, Japan, pp 148–152Koyama Y, Goto M (2018) Optimo: Optimization-guided motion editing for keyframe character animation. In: Proceedings of the 2018 CHI conference on human factors in computing systems (CHI). ACM, New York, NY, USA, pp 1–12, Z, Gotsman C (2014) Smooth rotation enhanced as-rigid-as-possible mesh animation. IEEE Trans Visual Comput Graph (TVCG) 21(2):264–277. Google Scholar Maejima A, Kubo H, Shinagawa S et al (2021) Anime character colorization using few-shot learning. In: SIGGRAPH Asia 2021 technical communications. ACM, New York, NY, USA, pp 8:1–8:4Morimoto Y, Semba T et al (2019) Generating 2.5D character animation by switching the textures of rigid deformation. Int J Asia Digit Art Des 23(2):16–21. Google Scholar Morishima S, Kuriyama S, Kawamoto S, et al (2007) Data-driven efficient production of cartoon character animation. In: ACM SIGGRAPH 2007 sketches. ACM, New York, NY, USA, p 76es, T (2016) The art of inbetweening: Timing charts. Y, Huang Z, Zhao C et al (2021) Sketch-based human motion retrieval via shadow guidance. In: 2021 Nicograph international (NicoInt). IEEE, Tokyo, Japan, pp 42–45, A, Igarashi T, Durand F (2010) 2.5D cartoon models. ACM Trans Graph (ToG) 29(4):59:1-59:7. Google Scholar Roberts R, Lewis JP, Anjyo K et al (2019) Optimal and interactive keyframe selection for motion capture. Comput Vis Media (CVMJ) 5(2):171–191. Google Scholar Sorkine O, Alexa M (2007) As-rigid-as-possible surface modeling. In: Proceedings of eurographics symposium on geometry processing (SGP). The Eurographics Association, Goslar, DEU, pp 109–116, Q, Bai X, Fu H et al (2018) Live sketch: Video-driven dynamic deformation of static drawings. In: Proceedings of the 2018 CHI conference on human factors in computing systems (CHI). ACM, New York, NY, USA, pp 662:1–662:12, D, Dingliana J, Collins S (2009) As-rigid-as-possible image registration for hand-drawn cartoon animations. In: Proceedings of the 7th international symposium on non-photorealistic animation and rendering (NPAR). ACM, New York, NY, USA, pp 25–33, D, Dingliana J, Collins S (2009) Lazybrush: Flexible painting tool for hand-drawn cartoons. Comput Graph Forum (CGF) 28(2):599–608. Google Scholar Thorne M, Burke D, van de Panne M (2004) Motion doodles: An interface for sketching character motion. ACM Trans Graph (ToG) 23(3):424–431. Google Scholar Wang J, Drucker SM, Agrawala M et al (2006) The cartoon animation filter. ACM Trans Graph

Matthew Girardi ... additional effects Thomas Haley-Hermiz ... technical director: Stereo D Courtney Johnson ... compositor: Copernicus Studios Inc. Scott F. Johnston ... animation art & technology (as Scott Johnston) Andrew Kennedy ... technical director: Stereo D Soon Nam Kim ... digital ink and paint: NE4U Inc. Patrick Long ... compositor: Copernicus Studios Inc. Julianne Martin ... compositor Christopher Montesano ... pipeline supervisor (as Chris Montesano) Carson Murdy ... compositor Karl Pajak ... effects animation David Jeffrey Phillips ... compositing supervisor Jason Plapp ... additional effects Paula A. Rios ... compositing supervisor: Titmouse Inc. Timothy N. Ryan ... compositor (as Timothy Nelson Ryan) Phillip Vigil ... effects animation Trevor Von Klueg ... compositor Bea Walling ... compositor: Hornet Inc. Woo Jae Young ... compositor: NE4U Inc. Darren Bailey ... operations coordinator: Stereo D (uncredited) Animation Department Jhon Eric Accad ... animator: Snipple Animation Studios Rick Acosta ... additional animator Marius Alecse ... additional animator Elizabeth Allan ... animator: Copernicus Studios Inc. Hillary Allan ... animator: Copernicus Studios Inc. Kirby Allen ... character animator Eliar Angsioco ... background artist: Snipple Animation Studios Alexi Ansell ... animator: Titmouse Inc. Luis Apusen ... layout artist: Snipple Animation Studios Ira Archibald-Faloon ... animator: Copernicus Studios Inc. Marco Ascalon ... animator: Snipple Animation Studios (as Marko Ascalon) Rex Avila ... background supervisor: Snipple Animation Studios Alvin Balenbin ... layout artist: Snipple Animation Studios Ryan Barringer ... ink and paint: Big Jump Entertainment Louie Bartolome ... animator: Snipple Animation Studios Jimbern Bergado ... background artist: Snipple Animation Studios Richard Besana ... animator: Snipple Animation Studios Chloe Boudreau ... animator: Copernicus Studios Inc. Janelle Bourque ... background artist: Copernicus Studios Inc. Bryan Britanico ... animator: Snipple Animation Studios (as Bryan Lou Britanico) Benjy Brooke ... animation director: Hornet Inc. Alex Brown ... animation revisions: Slap Happy Cartoons Carmen Cameron ... animator: Copernicus Studios Inc. Jason Campbell ... animation revisions: Slap Happy Cartoons Karlo Cayetano ... animator: Snipple Animation Studios Juliet Chan ... animator: Snipple Animation Studios Caleb Chappell ... animator: Copernicus Studios Inc. Kang Hei Chul ... animation director: NE4U Inc. Sarah Cloutier ... ink and paint: Big Jump Entertainment Bodie Coba ... background artist: Snipple Animation Studios (as Ediluardo Coba) Jesus Colon ... animator: Titmouse Inc. David Crocker ... animator: Copernicus Studios Inc. Brenda Cruz ... layout artist: Snipple Animation Studios Gabriel Cruz ... animator: Snipple Animation Studios Nestor Cruz ... layout artist: Snipple Animation Studios (as Nesty Cruz) Fernan Darag ... layout artist: Snipple Animation Studios (as Fernando Darag) Jeff Dela Rosa ... background clean-up artist: Snipple Animation Studios Ross dela Vega ... layout artist: Snipple Animation Studios Ma. Rodyline Detayson ... animator: Snipple Animation Studios Tyler DiBiasio ... animator: Hornet Inc. Ron Doucet ...

If you guys follow Jason Zander’s (Visual Studio corporate Vice President) blog, you learned two days ago that the Visual Studio 2010 Service Pack 1 whose Beta had been released last December achieved final release stage. Today is generally available (last Tuesday was only for MSDN subscribers).You can get it from here.Let’s summarize the list of C++ new features and fixes that are included in this release. You’ll find an expanded description beyond C++ in this Microsoft Support article.New C++ FeaturesMFC-based GPU-accelerated graphics and animationsVisual Studio 2010 SP1 enables the following two technologies for MFC:Direct2D, a hardware-accelerated, immediate-mode, 2-D graphics API that provides high performance and high-quality rendering for 2-D geometry, bitmaps, and text. For more information, visit the following Microsoft website: Direct2D. Windows Animation Manager, which enables rich animation of user interface elements. For more information, visit the following Microsoft website: Windows Animation Manager.You can take advantage of these two technologies without breaking the MFC programming model. Additionally, you can find demos in the following directory: [drive]:Program FilesMicrosoft Visual Studio 10.0Samples1033VC2010SP1Samples.zipFor more information about the technology improvements in Visual Studio 2010 SP1, visit the following website: MFC Additions for Visual Studio 2010 SP1.New AMD and Intel instruction set supportVisual Studio 2010 SP1 adds intrinsic functions or intrinsics to enable the extensions on the AMD and Intel new microprocessors (being released this year). The intrinsic functions allow for highly efficient computing without the overhead of a function call. For more information about the intrinsic function, visit the following website: Compiler

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