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HomeFurnitureSpartan Sculpture21st Century and Contemporary5In Stock Within 6 weeks17Hand Made Solid Bronze Greek Sculpture by Aohna Spartan WarriorSolid patinated bronze sculpture of spartan warrior made in Greece, circa 1970s.Category20th Century Greek Classical Greek Figurative SculpturesSpartiate by Max Le Verrier Spartan Archer Warrior Sculpture in Spelter Le Verrier” (1891-1973) Art Deco style, France Sculpture made in “Régule” (spelter)Socle in blackCategory21st Century and Contemporary French Art Deco Figurative SculpturesLarge, Decorative Bronze Sculpture of a Spartan Warrior with Sword, Greco RomanBy Victor Heinrich SeifertLarge and decorative bronze sculpture of a Spartan warrior.By Professor Victor Heinrich SeifertCategoryAntique 19th Century Austrian Figurative SculpturesGreek Spartan Foot in Plaster, 20th Century.Located in Saint-Ouen, FRGreek spartan foot in plaster, 20th century.Sculpture of the foot of a Greek spartan in plasterCategory20th Century French Classical Greek Figurative SculpturesBronze Greco Roman Style Bust of a Spartan Soldier on Black Wooden Base significance.For those who appreciate classical art, historical sculptures, or are enthusiasts of Spartan andCategory20th Century Greco Roman BustsArt Deco Revival Model CR 37 Cobalt Blue Spartan 'Bluebird' Radio by CrosleyRe-edition Spartan model CR-37 "Bluebird" radio and cassette tape player originally designed byCategory1990s American Art Deco Abstract Sculptures“The Spartan” abstract wood sculpture by Endre VitezThis powerful abstract sculpture by Endre Vitez is carved from a single piece of walnut. TheCategoryVintage 1960s American SculpturesSpartiate by Max Le Verrier Spartan Archer Warrior Sculpture in Spelter Le Verrier” (1891-1973) Art Deco style, France Sculpture made in “Régule” (spelter)Socle in blackCategory21st Century and Contemporary French Art Deco Figurative SculpturesLarge, Continental "Bronze" Sculpture of a Spartan Warrior with Sword, RomanThis large and impressive decorative classical Roman figure is from the 20th century and is made of spelter and finished in a rich bronze patina. It is titled "Honor Patria."CategoryVintage 1970s European Figurative SculpturesGreek Spartan Foot in Plaster, 20th Century.Located in Saint-Ouen, FRGreek spartan foot in plaster, 20th century.Sculpture of the foot of a Greek spartan in plasterCategory20th Century French Classical Greek Figurative SculpturesVintage Cast Bronze Green Marble Spartan Helmet Paperweight Bookend 4.5Vintage paperweight or book end featuring a bronze metal Greek / Corinthian / Spartan helmetCategoryLate 20th Century Classical Greek Mounted ObjectsItalian Sculpture "Spartan" 20th CenturyItalian sculpture "Spartan"20th CenturySynthetic material resinMeasures: 55cm x 40cm x 10cmCategory20th Century Italian Modern Figurative SculpturesBronze Spartan Corinthian HelmetBronze Spartan Corinthian helmet mounted on brass and marble museum stand, 20th century.Category20th Century Figurative SculpturesSpartan Archer Warrior Sculpture in Spelter, Spartiate by Max Le Verrier“Spartiate”Original “Max Le Verrier”Art Deco Style, FranceSculpture made in “RéguleCategory21st Century and Contemporary French Art Deco Figurative SculpturesSpartan Archer Warrior Sculpture in Spelter, Spartiate by Max Le Verrier “Max Le Verrier” (1891-1973) Art Deco Style, France Sculpture made in “Régule” (spelter)SocleCategory21st Century and Contemporary French Art Deco Figurative SculpturesEdouard Pastor (1932-2007): Bronze of a Greek Spartan warrior helmet

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Frequentative was in fact marked by a velar in Middle Gallifreyan and the eternal by a uvular, which all become glottals in Classical Gallifreyan.The eternal, as implied by the name, is basically used as a present aorist, meaning that the entity described by the noun trascends time; it is therefore often used for abstract ideas.Second transfix[]In nouns, the second transfix marks case. Classical Gallifreyan marks 13 cases, and those are the only way to mark syntactic relationships between words as no prepositions, adverbs or applicatives exist (Classical Gallifreyan strictly employs only three parts of speech: nouns, verbs and the emotioner).The cases are:Nominative: marks the subject, or the ergative argument when the verb is in the eternal tense (split ergativity).Accusative: marks the object, or the absolutive argument when the verb is in the eternal tense.Dative: marks the indirect object, that is, whoever is second-hand affected by the action though not strictly being the object; it is also often used to mark motion towards a place, meaning that the dative overall overlaps with the English preposition "to".Benefactive: substitutes the dative to imply that some receives a benefit (or even in a negative sense, damage) from the action.Modal: usually used with abstract nouns to signify the manner an action is executed ("with care", "with attention", "with joy"...).Causal: marks the causative argument, usually introduced in English by "because of" (so an entity that ultimately causes the action through the subject, either by forcing or edging it into executing it).Ablative: marks the motion from a

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Transform into new, nonrepeating abstract designs based on user reaction. People can use their up and down arrows to signify which designs they like or don't like. The system factors in the collective preferences when forming new designs. The most popular sheep reproduce to create related designs using a "genetic" algorithm that allows for mutations and so-called crossovers, which refers to the biological process of combining genes from two different sheep to create a new one. People can also download Draves' open-source software and design their own sheep and submit them to the network "gene pool." Draves archives the best of the flock, and even keeps track of their geneology, recording the sheep, the sheep's two parents and all the sheep's offspring. The more popular sheep live longer, though Draves has programmed in a shelf life of one week. "The ugly ones are killed off first," he said. "You've got to make room for the younger generation." Watching the images can be mesmerizing. The colors softly shift from subtle to deep, exploding into vivid sunbursts and Milky Ways. Swirls spiral into smoke and morph into other shapes. Repeating geometric patterns fold in on themselves, channeling M.C. Escher and classical Celtic designs. "The process is a self-perpetuating, positive feedback loop," said Draves. "If enough people look at it, it becomes more and more beautiful.". Buy Classical Abstract by -MARiAN- on AudioJungle. MARiAN – CLASSICAL ABSTRACT Share Classical Vibes, Modern Abstract Ambient, Immersive Atmosphere Immerse into an abst

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Shapes offers you endless puzzles where the outcome is always abstract, yet harmonious and beautiful. It's a different way of playing a Logic Game such that you can relax while training your brain.With Shapes, you need to rotate the different pieces to uncover an harmonious, hidden figure, usually abstract. Once the neon lights are on, you win another battle and the level is completed.It is a brain training experience and mind relaxation that initially will help you with your logic skills but after a while, it will be the gateway to help you with stress, anxiety relief. Through an immersive abstract environment of countless challenging levels, this game will guide you into an anti-stress relaxation journey.Key Features:1. Endless Levels (Infinite). The levels are not random. Level 38.600 will be the same for you and your friends;2. Perfect for Offline Gaming since you don't need an internet connection;3. Purely Abstract Generation of Shapes using our Proprietary AI Algorithm;4. A Pure Logic and Brain Training Game at Start;5. 100% Relaxing Game after level 100;6. Minimalist Art and Gameplay.Experiment with a relaxing and spatial environment, enjoying a soothing soundtrack and exciting puzzles. In this game we merge figures within classical traits and futuristic neon lights with the purpose to play with your senses, imagination and logic. Considered by players as one of the best efforts ever released by Infinity Games this the perfect offline game for fans of beautiful brain teaser games. Accept our challenge and bring some order to this topsy-turvy world!Do you like our work? Connect below:• Like: • Follow: • Visit: This game is also available on Wear OS. And it's very fun as well!

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At the Yale–Classical Archives Corpus (c. 2015)." Empirical Musicology Review 11, no. 1 (July 8, 2016): 59. Full text Abstract: This paper responds to the article by Christopher White and Ian Quinn, in which these authors introduce the Yale-Classical Archives Corpus (YCAC). I begin by making some general observations about the corpus, especially with regard to ramifications of the keyboard-performance origins of many pieces in the original MIDI collection. I then assess the accuracy of the scale-degree and local-key fields in the database, which were generated by the Bellman-Budge key-finding algorithm. I point out that some of the inaccuracies from the key-finding algorithm's output may influence the results we obtain from statistical studies of this corpus. I also offer an alternative analysis to the authors' finding that the ratio of V7 to V chords increases over time in common-practice music. Specifically, I conjecture that this finding may be the result of (or related to) increasing instrumental resources over time. I close with some recommendations for future versions of the corpus, such as enabling end users to help repair transcription errors as well as offer ground truths for harmonic analyses and key area information. APA, Harvard, Vancouver, ISO, and other styles 21 Haraway, Donna J. "The Virtual Speculum in the New World Order." Feminist Review 55, no. 1 (March 1997): 22–72. Full text Abstract: Beginning by reading a 1992 feminist appropriation of Michelangelo's Creation of Adam – in a cartoon in which the finger of a nude Adamic woman touches a computer keyboard, while the god-like VDT screen shows a disembodied fetus – ‘Virtual Speculum’ argues for a broader conception of ‘new reproductive technologies’ in order to foreground justice and freedom projects for differently situated women in the New World Order. Broadly conceptualized reproductive practices must be central to social theory in general, and to technoscience studies in particular. Tying together the politics of self help and women's health movements in the United States in the 1970s with positions on reproductive freedom articulated within the Legal Defense and Educational Fund of the NAACP in the 1990s, the paper examines recent work in feminist science studies in several disciplinary and activist locations. Statistical analysis and ethnography emerge as critical feminist technologies for producing convincing representations of the reproduction of inequality. Untangling the semiotic and political–economic dialectics of invisibility and hypervisibility, ‘Virtual Speculum’ concludes by linking the well-surveyed amniotic fluid of on-screen fetuses and the off-frame diarrhea of uncounted and underfed infants in regimes of flexible accumulation and structural adjustment. APA, Harvard, Vancouver, ISO, and other styles 22 KASHEFI, OMID, MOHSEN SHARIFI, and BEHROOZ MINAIE. "A novel string distance metric for ranking Persian respelling suggestions." Natural Language Engineering 19, no. 2 (July 24,

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Transept of Westminster Abbey. This style occurs widely in Gothic churches and is also widely imitated in Gothic Revival buildings.[13]Flamboyant GothicFlamboyant- Meaux Cathedral, FranceThe style is marked by S-curves in the tracery causing each light to take on a flamelike or "flamboyant" shape. Many windows are composed of fairly regularly shaped lights the richness of design dependent on the multiplicity of parts. Good examples are at Beauvais Cathedral and Sainte-Chapelle, Paris. Some Late Gothic rose windows are of immense complexity of design, often using elements of the Gothic style in unexpected ways. A magnificent example is that of the façade of Amiens Cathedral. Although the design usually radiates from a central point, it may not be symmetrical about each axis. This may be seen in the Flamboyant Decorated Gothic window called the “Bishop’s Eye” at Lincoln Cathedral in which the design takes the form of two ears of wheat.RenaissanceThe Renaissance made a break with the Gothic style, and a return to the Classical. Plain untraceried oculi were sometimes employed, either in Classical pediments[14] or around domes as at the Pazzi Chapel, Florence.[15]Baroque- Catania.pic. G. Dall'OrtoBaroqueThe Baroque style saw much greater use of ocular windows, which were not always circular, but frequently oval or of a more complex shape. They were untraceried or crossed by mullions of very simple form but were often surrounded by ornate carving. The purpose of such windows was the subtle illumination of interior spaces, without resorting to large windows offering external visibility. They rarely form a dominant visual element to either the façade or the interior as do the great Gothic windows.[16] However, there are some notable exceptions, in particular the glorious burst of light which pours through the oval alabaster window depicting the Holy Spirit in the Reredos behind the High Altar of St. Peter’s Basilica, Rome.[17]ModernModern circular windows, which are most frequently of a simple ocular type, have an eclectic range of influences which includes Abstract art, ship's portholes and the unglazed circular openings of Oriental architecture.SymbolismSymbolism: the north rose of Notre Dame, Paris, has at its centre the Blessed Virgin Mary and Christ. Buy Classical Abstract by -MARiAN- on AudioJungle. MARiAN – CLASSICAL ABSTRACT Share Classical Vibes, Modern Abstract Ambient, Immersive Atmosphere Immerse into an abst