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This site uses cookies. By continuing to use this website, you agree to our policies regarding the use of cookies. Online Radio Box All stations Favorites Genres Music United States Online Radio Box Games Puzzles Solitaire Mahjong Sudoku Minesweeper Colors Battle--> Reversi Log in × Like ? Save it to your favorites × Like ? Leave your review! × Have a free moment? Play jigsaw puzzles for free! × Have a free moment?Play the best Mahjong games online! United States Florida Margate Motown Magic Oldies App Motown Magic Oldies application Install the Online Radio Box application on your smartphone and listen to Motown Magic Oldies online as well as to many other radio stations wherever you are! Now, your favorite radio station is in your pocket thanks to our handy app. United States Favorites Motown Magic Oldies 80s70soldies60s .977 Today's Hits poptop40 Classic Rock Florida rockclassic rock80s70s60s 101 SMOOTH JAZZ jazzeasy listeningsmooth jazzinstrumental Smooth Jazz Mix New York jazzeasy listeningsmooth jazz Chilltrax electronicdowntempochill-out San Francisco's 70s HITS discoclassic rock70shits FOX News Talk newstalk Side Street Radio danceelectronictrancehouseprogressive houseclub Motown Magic Oldies 80s70soldies60s .977 Today's Hits poptop40 Classic Rock Florida rockclassic rock80s70s60s 101 SMOOTH JAZZ jazzeasy listeningsmooth jazzinstrumental Smooth Jazz Mix New York jazzeasy listeningsmooth jazz Chilltrax electronicdowntempochill-out San Francisco's 70s HITS discoclassic rock70shits FOX News Talk newstalk Side Street Radio danceelectronictrancehouseprogressive houseclub

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Grandest artistic statement, something not at all of a piece with its previous, poppy output. Marvin Gaye put out What’s Going On, a thoughtful, socially conscious album whose title track Gordy famously called the worst song he had ever heard. A year later, Motown deserted Detroit for L.A. and Stevie Wonder turned 21, thereby taking creative control of his music. Within four years he had released Talking Book, Innervisions, and Songs in the Key of Life.It was arguably the last great burst of Motown creativity. Gordy, distracted by Hollywood, released two films starring Diana Ross — Mahogany and the Billie Holiday biopic Lady Sings the Blues. The 80s brought Rick James and Lionel Richie and The Big Chill — a white, yuppie film with an amazing Motown soundtrack (“Aint Too Proud To Beg” was reduced to dishwashing music). By 1988, Gordy had had enough; he sold the company to MCA, which in turn sold it to Polygram, which in turn was bought by Universal. Really, though, who cares who owns it now? Just pop on one of those numerous greatest hits albums in your collection (or, ok, fine, The Big Chill soundtrack) and recall the glory of Motown. The music doesn’t sound fifty years old at all.

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Discover Gladys Knight's career, spanning decades as the "Empress of Soul," and her lasting impact on music and entrepreneurship. Gladys Knight, revered globally as the "Empress of Soul," has cultivated an extraordinary legacy through her unparalleled contributions to music and beyond. With a net worth estimated at $28 million in 2024, according to WorthInsiders, Knight's journey from the lead singer of Gladys Knight & the Pips to a solo powerhouse encapsulates a tale of enduring talent, entrepreneurial spirit, and heartfelt philanthropy. Her profound influence stretches across decades, marking her as an iconic figure whose soulful voice and charitable endeavors continue to inspire and uplift. A Soulful Legacy: From Motown To Solo Stardom UNSPECIFIED - JANUARY 01: Photo of Gladys Knight & Pips (Photo by Michael Ochs Archives/Getty Images) Gladys Knight's ascent to musical royalty began with the formation of Gladys Knight & the Pips, a group that would become synonymous with the Motown sound of the 1960s and 70s. Hits like Midnight Train to Georgia and Neither One of Us (Wants to Be the First to Say Goodbye) are emblematic of her rich vocal prowess and emotional depth, cementing the group's place in music history. Knight's transition to a solo career further showcased her versatility and resilience as an artist, with albums and singles that continued to chart her journey through the evolving music landscape. Knight's contributions to music extend beyond her recordings. Her performances have graced stages worldwide, from Broadway to the Super Bowl. Her ability to connect with audiences of all ages and backgrounds through the universal language of music has solidified her status as a beloved and respected artist. Entrepreneurial Ventures & Philanthropy NEW YORK, NY - JANUARY 27: Recording artist Gladys Knight performs onstage during the. Clive Davis and Recording Academy Pre-GRAMMY Gala and GRAMMY Salute. 22,471 Free images of Motown Music. Find an image of motown music to use in your next project. Free motown music photos for download.

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Ease on Down the Road At a Glance Arrangement Details Song Details Related Products Reviews Ease on Down the Road digital sheet music. Contains printable sheet music plus an interactive, downloadable digital sheet music file. Contains partial lyrics Title: Ease on Down the Road From: The Wiz Instruments: Voice, range: F4-G5 Piano Scorings: Piano/Vocal/Chords Singer Pro Audition Cut - Short Original Published Key: Bb Major Product Type: Musicnotes Product #: MN0218021 Price: $5.99 Includes 1 print + interactive copy with lifetime access in our free apps. Each additional print is $4.99 Number of Pages: 2 Lyrics Begin: Pick your left foot up when your right foot's down Arrangement Details gives you detailed information about this particular arrangement of Ease on Down the Road - not necessarily the song. Not the arrangement you were looking for? View All Arrangements From: The Wiz Number of Pages: 2 Form: Song Instruments: Voice, range: F4-G5 Piano Scorings: Piano/Vocal/Chords Singer Pro Audition Cut - Short Original Published Key: Bb Major Product Type: Musicnotes Product #: MN0218021 Tempo: Disco / R&B Metronome: q = 120 Genres: Soul Movie/TV R&B Motown Show/Broadway Soundtrack Musical Motown Era Disco Teens Gospel Musical Theatre Post Golden Age Uptempo Pop Contemporary R&B Song Details gives you detailed information about this song, Ease on Down the Road There are no reviews written for Ease on Down the Road. Explore more music!

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It was our hit record. Now, if anybody did anything after that, that was fine! I mean, all they did was keep our name going stronger. It didn’t bother us whatsoever. As long as we had our time and our radio slots that we could get our stuff played on. You know, that didn’t bother us about people covering, or other artists covering or – I don’t think it affected us nearly as much as maybe some others. Because Holland, Dozier, & Holland would sit and tailor make stuff for us, and when they thought they’d done enough of that, then they started picking nice tunes for us to cover for other people, like, “I Was A Carpenter”.An amazing family came out of Motown. You hear different things from a lot of different people. Some people say, “Well Barry was behind his artists and righteous, and all that and then you hear stories that maybe the artist didn’t get paid what they should’ve gotten paid and maybe Barry was a little more of an egomaniac?Duke: Let me put it like this. Before we went to Motown, we were just a group scuffling trying to find our dinner table. After we had left Motown, we were world famous, and we had brought home to our families and we’re still working and we’re still doing those things, and we’re still selling the Motown sound. We still love Barry, and Barry loves us. We did not get a raw deal, we got a wonderful deal. The best deal that I ever had in my life! And I think he’s a wonderful guy. He had a family philosophy. He made – the artists, and the engineers, and the musicians – everybody, like, were at their peak when they were at Motown. It was very warm and wonderfully competitive. Everybody was competitive, but it was still a family.©2016 Pilato EntertainmentBruce Pilato is a 40 year music industry veteran, who has covered entertainment for Variety, USA TODAY, Gannett News Service, US Weekly, Mix and others. He is president of Pilato Entertainment Marketing & Media LLC and also teaches music industry courses for The University Of Rochester’s American Institute of Popular Music and Nazareth College.www.Pilato.com

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Within their “Songs of the Century” list. Robinson recalled the origins of the song: “‘Tracks of My Tears’ was actually started by Marv Tarplin, who is a young cat who plays guitar for our act. Tarplin’s guitar licks at the song’s intro are among the most famous in pop music history.”3. “I Can’t Help Myself (Sugar Pie Honey Bunch)” (Four Tops)Motown music typically comes in two breaths—either a whistful break-up tune or a buoyant ode to a lover. “I Can’t Help Myself (Sugar Pie Honey Bunch)” falls under the latter category. From the very first note of this song, it’s impossible to not, at the very least, tap your foot along or do a little shuffle in your seat—I’m doing it right now. The honeyed lyrics of the song are made even sweeter by lead singer Levi Stubbs’ smooth vocals: Sugarpie honeybunch / You know that I love you / I can’t help myself / I love you and nobody else. 4. “Uptight (Everything’s Alright)” (Stevie Wonder)Stevie Wonder secured his first two Grammy nominations for “Uptight (Everything’s Alright).” It was a watershed moment for Wonder in more ways than one actually. Around this time, Gordy and Wonder were worried his maturing voice (15 years old at the time) was going to affect his standing at Motown. Despite their concerns, it turns out Wonder was better than ever with a new mature sound to match his new vocals. 5. “You Can’t Hurry Love” (The Supremes)Even for the most casual Motown fan, it’s safe to assume that you are familiar with The Supremes. One of the most iconic groups from the era, the trio delivered a number of world-class hits for the label. With Diana Ross at the helm, songs like “Stop! In the Name of Love” and “Where Did Our Love

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Label Stax, Motown productions were far more involved with complex melodic arrangements which often employed orchestral elements such as strings. In fact, from songwriting to attire, Gordy brought a keen musical and visual aesthetic to everything he touched, much of it carefully calculated to help make black soul music more accessible to white audiences, without ever compromising on its underlying groove or soul. Learn to DJ the right way with Digital DJ Tips: The Complete DJ Course Selling black records to white audiences obviously made good commercial sense, though by helping to cross the musical divide, Motown artists also crossed racial divides – something which proved particularly important in the America of the late 1960s. Legacy: Gordy not only popularised black music in the US and abroad, he inspired scenes such as Northern Soul in the UK and influenced pop music in general the world over. He launched the careers of some of the greatest black artists who ever lived, like Diana Ross and Marvin Gaye, and introduced the world to then-young protégés like Stevie Wonder and Michael Jackson. Though effectively retired today, he is the subject of the long-running Motown musical and is often cited as a massive influence by contemporary black producers like Dr Dre. Quincy Jones 4. Quincy Jones A true renaissance man, Quincy Jones is a composer, producer, a multi-instrumentalist performer, and raconteur par excellence – a living legend through and through. Name any famous person and it’s fair to say Quincy Jones has invariably met them, quite possibly has worked with them and undoubtedly has an interesting story to tell about them. He started his career back in the early 50s, when he was in his early teens, rubbing shoulders with famous musicians such as Ray Charles, with whom he worked and became close friends. Quincy Jones’ musical career spanned jazz, rock and roll and pop music. He composed music for Count Basie and Duke Ellington. He also played alongside everyone from Elvis to Frank Sinatra, worked in the movie business but his biggest success was surely his work with Michael Jackson. Having literally grown up in studios first with Berry Gordy and various Motown performers, as well as other top producers like Gamble and Huff, Michael Jackson was already a superstar and had plenty of his own ideas in terms of both production and songwriting – he just needed somebody who shared his vision. 22,471 Free images of Motown Music. Find an image of motown music to use in your next project. Free motown music photos for download. 1301x801 Tag Archives: Motown Party. Music collage, Motown, Musical wallpaper Get Wallpaper. 1280x1024 Motown Wallpaper 1600x900 Free download MOTOWN

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Above the front windows of Motown Records’ Detroit headquarters was a sign that read “Hitsville U.S.A.” Placed there by Motown founder Berry Gordy soon after his company moved into the modest home at 2648 W. Grand Blvd, the sign demonstrated Gordy’s blazing — and at the time, unearned — arrogance. Then the slogan came true.Founded on Jan. 12, 1959, Motown quickly became another Detroit factory; where the Big Three produced automobiles, Motown assembled the soul and pop classics that changed America. There’s no hyperbole in that statement. Arriving at the height of the civil rights movement, Motown was a black-owned, black-centered business that gave white America something they just could not get enough of — joyous, sad, romantic, mad, groovin’, movin’ music. (See an audio slideshow of five of Motown’s best tunes.)A former boxer and automobile worker, Berry Gordy was a nascent songwriter when, at the urging of Smokey Robinson, a songwriter ten years younger than Gordy, he decided to establish Motown Records. The two had become friends years earlier and Robinson, who was the lead singer of a band called The Miracles, produced, wrote, and sang several of Motown’s most memorable hits — including the labels’ first smash song, “Shop Around” in 1960. A year later, “Please Mr. Postman,” by The Marvelettes, was the label’s first No. 1 song. It would not be the last.Over the next decade, the sheer number of chart-topping artists, musicians, and groups produced by Motown defied comprehension: Martha and the Vandellas, Smokey Robinson and the Miracles, The Temptations, The Four Tops, Diana Ross and the Supremes, Gladys Knight and the Pips, The Jackson 5, Stevie Wonder, Marvin Gaye. All became part of what would come to be known as the Motown Sound. It is rumored that Gordy modeled his hit factory after the Detroit car assembly line that he knew so well: Make a good product, then make something similar, and make it quick. Over here were the songwriters — Robinson and the team of Eddie Holland, Lamont Dozier, and Brian Holland (Holland-Dozier, Holland, or H-D-H). Over there was the talent — Stevie Wonder, whom the label discovered when he was 11; Marvin Gaye, who wanted so much to be a jazz crooner before he came into his own in the late 60’s; and, above all, Diana Ross, whom the label put its stake in early on, and who was told so many times

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He released it.This single hit song was a huge success, making it to both the pop and RnB charts. In the RnB chart, the song made it to position 5 and position 36 in pop charts.Soon after, he recorded yet another hit song, “Any Day Now,” in 1962. This song became his signature song and also another huge success.He then moved to Motown Records, where he again recorded other singles, though with minimal success. Moving to Motown Records, was to him, the biggest mistake he took during his musical career.Chuck Jackson worked with several other records, including ABC, Clock, Platinum, and EMI.Top Black Male Singers of The 60s, ConclusionWell, these are the top 7 black male singers of the 60s. From this article, you can see that they were naturally talented and dedicated to their musical career.Although some of these black legends have left us, their music forever lives in our souls.. 22,471 Free images of Motown Music. Find an image of motown music to use in your next project. Free motown music photos for download. 1301x801 Tag Archives: Motown Party. Music collage, Motown, Musical wallpaper Get Wallpaper. 1280x1024 Motown Wallpaper 1600x900 Free download MOTOWN

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Rain” gave New Edition a legitimate strong male lead vocalist as the group transitioned to a more adult sound.In 1990, while still a member of New Edition, Gill broke out with his Motown solo debut (his second self-titled album). The disc was highly anticipated as the first to include the work of the two top production teams in R&B music, Babyface/L.A. Reid and Jimmy Jam/Terry Lewis. Musically the album was irresistible and it yielded four hits, including the sizzling dance numbers “Rub You The Right Way” and “Wrap My Body Tight,” and is best known for the #1 ballad, “My My My.” It unfortunately proved to be the high water mark of Gill’s solo career. Gill continued to sound great on the follow up disc, Provocative, but the album’s lack of character made it barely distinguishable from the discs dozens of other soul lovermen and it died quickly. One notable exception on the disc was when Gill went back to his Gospel roots on “I Know Where I Stand,” creating one of his finest moment as a singer and a hint of what might have been had he gone another direction musically. His last album for Motown was 1996’s Let’s Get the Mood Right, which had a minor hit with the title track but continued a relatively nondescript musical direction. Following his departure from Motown, Gill joined Keith Sweat and Gerald Levert for two popular albums under the monikor LSG. He also reunited several times during the late 90s and early 00s with New Edition, both on record and on several tours. During this period, Gill took several breaks, leading to often vicious rumors about his personal life and sexuality — rumors that would not go away whether he protested or remained quiet. And while he didn’t record any more