Ghost tube

Drawing inspiration from minimalist art, the Ghost Chandelier seamlessly melds light with sculpture, embodying a graphic lighting aesthetic. The Ghost's defining feature is its radiant white acrylic tube, which flows in various directions, forging an ambient illumination reminiscent of organic patterns. Originating from a hand sketch, the design infuses spaces with an artistic and graphic ambiance. Its ever-evolving appearance captivates observers, morphing into diverse patterns and forms depending on one's vantage point. In any setting, Ghost asserts itself as a centerpiece. Ghost Chandelier comes in three options, Neon, Burned Black and Chrome. Available in two sizes, the Ghost Chandelier incorporates an inbuilt LED light. This series highlights the luminous white acrylic tube that encases a durable LED light source, boasting an impressive 25,000 hours of illumination at a warm Kelvin 2400. Shifting away from the starkness typically associated with neon, these innovative lamps exude a warmer, more inviting glow, setting the ambiance for a cozy and comforting atmosphere. The handcrafted design of the Ghost Chandelier ensures that light distribution uniquely cascades along its curvaceous tubes. resulting in it to shine brighter in some part of its curved tube. Suspended by four adjustable stainless-steel wires, the chandelier can be set to the perfect height for any room.Designed by Kristian Sofus Hansen & Tommy Hyldahl.View assembly guide here.Product no: 242013Type: ChandelierColour / Material:Chrome / White acrylic tubesCable: Fabric covered cable / BlackDimensions:L155 / W82 / H50 CMCable 1: 15 - 85 CM / Cable 2: 200 CMProduct weight: 2,4 KgsLight source:Inbuilt LED lightLED bulbs cannot be changed or replacedBurning hours: 25,000 hoursIP rating: 20 Max Watt: 25Kelvin: 2400 Lumen: 2059Care instructions:Use a soft dry cloth to clean the product.Do not use household cleaners.MetalInspired by architecture, the metal finishes of 101 Copenhagen are characterized by treated and rich surfaces, emphasizing the unique potential and qualities of each metal. The finishes of brass, bronze and burned black are all plated one or two times to create a layered metal finish with a subtle warmth. Subsequent to the plating, all metal colours are hand brushed to achieve a beautiful patinated look. Finally, the colour is spray painted with a mat transparent paint, adding a silky mat finish to the metal. The products of cast aluminium have small marks and variations from the casting process, therefore small holes and unevenness might occur. Products made of cast aluminium is not recommended for outdoor use. Standing outside will cause the product to rust. Resembling architectural concrete facades, the Oxidized aluminium colour is made from a special acid treatment. The metal is dipped in acid for a very short time, creating a raw mat grey surface and leaving large sporadic marks.Maintenance:For daily cleaning it is recommended to use a microfiber cloth to remove dust or dirt from the surface. Please do not use cleaning agents that contain acid.

The shoulder for two slugs, perform emergency reload, then fire one more slug to the head. It is at the emergency reload where I learned my third lesson: the value of a match saver.MATCH SAVERShotguns lack capacity and are slow to reload. An 18-inch barrelled gun has enough tube length to only hold six shells in a cruiser-ready configuration (tube full, lifter empty), and only eight if I load the chamber and ghost load. Some users even down-load the tube (i.e., load five if the capacity was six) to simplify a slug-select (not covered in this course). Low capacity, and the possibility of a shotgun being the only weapon in a grab-and-go scenario, drives home the need for a fast emergency reload.An example of a match saver. These are commonly available shell holders that keep a round close to the ejection port for a rapid, one-shot reload.For emergency reloads during this course, I placed a shell on my belt, brass up. While I muddled through, I learned it’s inefficient compared to a match saver because my hand must travel further. A match saver holds one shotshell horizontally on the gun, in-front-of and in line with the ejection port, with the brass end facing shooter. To reload, one just needs to palm the shotshell straight rearward, through the ejection port, then close the bolt and fire. Shorter distance makes this faster than reaching into my belt. Furthermore, this is easier to accomplish in the dark than searching my belt for a

Passing- Tackling- Shooting- Beaters- Seeker===============================================================================6.1.1 Passing===============================================================================Harry: Eyes front! Get ready to learn some basic Chaser techniques. To testyour accuracy of your passing, throw the Quaffle through as many tubes as youcan. Throwing the Quaffle harder will reduce your target by two tubes.Directional Pad = Direction of PassA Button = Launch QuaffleYou'll then be able to choose the difficulty. For now, you can only do Bronze.However, before moving on to the next training, I suggest you do Bronze,Silver, and Gold.--------------------------Bronze Passing Challenge:- 10 Tubes- 100 SecondsAll you have to do is move up/down/left/right and shoot the Quaffle throughthe tube. You have 100 seconds to shoot through 10 Tubes. Easy.Note: If you hold the A button and charge up your power, you'll launch theQuaffle faster. Not only that, but when you shoot it through a tube after youcharge it up, it'll count as 2 Tubes, instead of one.Harry: You have mastered the art of passing. This technique is very usefulbecause passing increases your Power Bar. This bar allows you to use SpecialMoves and contributes towards the release of the Snitch.Cards Won:#3 - Gryffindor ChasersCongratulations! You've unlocked the Exhibition Mode.--------------------------Now move on to the Silver Passing Challenge.--------------------------Silver Passing Challenge:- 20 Tubes- 100 SecondsSame as Bronze, except twice as many Tubes. Again, if you charge up theQuaffle, it'll count as 2 Tubes, which means you really only have to do 10Tubes.Cards Won:#1 - Hufflepuff ChasersCongratulations! You've unlocked the Practice Mode.--------------------------Now Gold.--------------------------Gold Passing Challenge:- 30 Tubes- 60 SecondsYou have to do 10 more Tubes, and only have 60 seconds to do it. Once more,charge up the Quaffle to only have to do 15 Tubes. This means you have 4seconds for each tube, which is plenty.Cards Won:#2 - Ravenclaw Chasers--------------------------This completes the Passing Training. Pretty easy, right?===============================================================================6.1.2 Tackling===============================================================================Harry: On your toes! It's time for a Chaser challenge. For this challenge, youhave to win the Quaffle from the ghost of an ex-Quidditch player, Edgar Cloggs.Once you have the Quaffle, you must return it to the Quidditch ball box.Directional Pad = FlyA = Tackle EdgarB = Dodge EdgarStart the Bronze challenge.--------------------------Bronze Tackling Challenge:- 60 SecondsNow you'll get to practice tackling. Fly to the other side of the field andEdgar's ghost will pop out of the Quidditch ball box. Fly up towards Edgar andpress A to tackle him. If done right, you should be in possession of theQuaffle now (you can teel because the star under you is filled in. The personwho's star is filled in is always in possession of the Quaffle. Remember this.)Now all you have to do is fly back to the box and press A to "pass" the ballinto the box.Note: Get used to the flying here for a few seconds. After a little bit, youshould be able to figure out how to fly and tackle correctly.Harry: You've learned how to tackle and dodge.Cards Won:#104 - Edgar Cloggs--------------------------Now Silver.--------------------------Silver Tackling Challenge:- 60 SecondsSame time limit, but Edgar will be harder. He'll try to dodge you now, and willgenerally be a bit harder to tackle. He's

From Start of Game’ column, you’ll be able to use them right away, you won’t have to wait for them to be invented in the game. When creating a new custom scenario, remember to put them in the column you wish, depending on the scenario objectives and restrictions you are setting up. Once you can see the Klinn’s ElectroSet group, open it up and you’ll see the pieces included: - Electro Wall Curved 01 - a basic curved wall. - Electro Wall Curved 02 - as above but with a circular entrance. - Electro Roof Curved 01 - fits on top of either curved wall. - Electro Roof Curved 02 - used where two roofs come together. - Electro Roof Cap 01 - plugs the hole in center of curved roof sections. - Electro Roof Cap 02 - same, but shows where to place Electro Post 01 on top. - Electro Filler 01 - if use reverse-curve walls, fills in gap. - Electro Tube 01 - fits between one Electro Curved Wall 02’s opening and another. - Electro Tube Frame 01 - place over top of tube to ‘support’ it. - Electro Tube 02 - fits between two regular RCT3 walls. - Electro Tube Frame 02 - place over top of tube to ‘support’ it. - Electro Girder 01 - vertical triangular framework section, stackable. - Electro Girder 02 - horizontal framework section, add more sections onto ends. - Electro Post 01 - vertical electrical post, can add firework effects. - Electro Post 02 - horizontal electrical post, can add firework effect. As you select and place the custom objects, you’ll see a couple of differences compared to the normal RCT3 items. First, while you’ll get a ghost image of the object itself, there’s only one blue square on the ground to help you gauge its position. To get around this, I sometimes swing my viewpoint almost directly overhead and get the object in the right spot, hold the left Shift key down while swinging my viewpoint back down to ground level, and slide the object up and down as required. It can be a little tricky when working on a large building, try not to curse the custom objects too much. Secondly, there is no collision detection - you can place the objects anywhere but on a path, even overlapping each other. While it opens up some interesting possibilities, this can make it harder to stack wall sections. They won’t jump up to the top of the previous one; you’ll have to raise them to the right height yourself. Four of the curved walls make a complete circular building, but there are many other ways of combining them. You can flip a wall around so it curves the other way and it will match up with other walls. If you place a reverse-curve wall above a regular one, there will be a gap between them. Fill this in with the Electro Filler 01 panel. The same filler works up