Make screen darker

It, is based on how much of the screen is light or dark pixels. More light pixels than dark makes the screen brighter and more dark pixels than light make the screen darker. THAT STILL MAKES NO SENSE!!! Bright on brighter (when talking about pixels) fatigues the eyes and dark on darker (when talking about pixels) makes you can't see anything. What were they thinking?And of course, the purpose for this is it being a power saving technique. #4 - Posted 13 August 2014 - 06:48 PM Back to top fox125cc Members 13 posts Last active: Joined: 21 Dec 2011 Nice little script. I use two monitors and your script is a nice way to dim them quickly. I like how you've only used a transparent window to create the illusion of dimming, so there are no settings being manipulated. Anyway, here's what I've done with it. #SingleInstance Force#PersistentRunSpeed=0EditSpeed=0Beg:Gui, Show, x10 y70 w435 h100, Slider GuiWinSet, Transparent, 210, Slider GuiGui, Color, BlackGui, font, cAquaGui, +AlwaysOnTop -Border -Caption +Owner -Resize +ToolWindow +0x800000 OnMessage( 0x200, "WM_MOUSEMOVE" )Gui, Add, Slider, x10 y70 w420 AltSubmit Range1-200 -Theme ToolTipTop vRunSpeed gChangeSpeed ,%EditSpeed%Gui, Add, Text, x20 y10, Hold (Gui, Add, Text, x74 y10, ) for a second to toggle slider. Quickly double taping (Gui, Add, Text, x350 y10, ) will end script.Gui, Add, Text, x110 y25, The screen will dim after you've released Left Click.Gui, Add, Text, x180 y50, Brightness Effect:Gui, Add, Text, x414 y50, +Gui, Add, Text, x22 y50, -Gui, Add, Text, x400 y104, v2.1Gui, Add, Edit, x-30 y110 w30 vEditSpeed gEditChange, %EditSpeed%Gui, Show, CenterGui, font, cYellow bold italic underlineGui, Add, Text, x50 y10, EscGui, Add, Text, x326 y10, EscReturnWM_MOUSEMOVE( Wparam, Lparam, MSG, HWND ){If Wparam = 1 ;LButtonPostMessage, 0xA1, 2,,, A ;WM_NCLBUTTONDOWN}ReturnChangeSpeed:Gui, Submit, NoHideGuiControl,, EditSpeed, %Runspeed%ReturnEditChange:Gui,Submit, NoHideGuiControl,, Runspeed, %EditSpeed%ReturnDim:If EditSpeed > 200EditSpeed = 200Gui,

Result color is never brighter than the original. If either input color is black, the result color is black. If either input color is white, the result color is the other input color. This blend mode simulates drawing with multiple marking pens on paper or placing multiple gels in front of a light. When blending with a color other than black or white, each layer or paint stroke with this blend mode results in a darker color. Color Burn The result color is a darkening of the source color to reflect the underlying layer color by increasing the contrast. Pure white in the original layer does not change the underlying color. Linear Burn The result color is a darkening of the source color to reflect the underlying color. Pure white produces no change. Darker Color Each result pixel is the color of darker of the source color value and the corresponding underlying color value. Darker Color is similar to Darken, but Darker Color does not operate on individual color channels. Linear Dodge (Add) Each result color channel value is the sum of the corresponding color channel values of the source color and underlying color. The result color is never darker than either input color. Lighten Each result color channel value is the higher (lighter) of the source color channel value and the corresponding underlying color channel value. Screen Multiplies the complements of the channel values, and then takes the complement of the result. The result color is never darker than either input color. Using the Screen mode is similar to projecting multiple photographic slides simultaneously onto a single screen. Color Dodge The result color is a lightening of the source color to reflect the underlying layer color by decreasing the contrast. If the source color is pure black, the result color is the underlying color. Linear Dodge (Add) The result color is a lightening of the source color to reflect the underlying color by increasing the brightness. If the source color is pure black, the result color is the underlying color. Lighter Color Each result pixel is the color of lighter of the source color value and the corresponding underlying color value. Lighter Color is similar to Lighten, but Lighter Color does not operate on individual color channels. Overlay Multiplies or screens the input color channel values, depending on whether or not the underlying color is lighter than 50% gray. The result preserves highlights and shadows in the underlying layer. Soft Light Darkens or lightens the color channel values of the underlying layer, depending on the source color. The result is similar to shining a diffused spotlight on the underlying layer. For each color channel value, if the source color

Lighter color between source color and underlying color. The lighter color is the result color. Screen Reads the color information in each channel and multipies opposite of source color with underlying color. The result color is a lighter color. Using the Screen mode is similar to projecting multiple photographic slides simultaneously onto a single screen. Color Dodge Reads the color information in the channels and brightens the source color to reflect the underlying color by reducing contrast. If the source color is pureblack , the result color is the underlying color. Linear Dodge (Add) Reads the color information in the channels and brightens the source color to reflect the underlying color by increasing brightness. Blending with black produces no change. Lighter Color Lighter Color is similar to Lighten, but Lighter Color reads composite color channel, instead of individual RGB color channels. This blending mode extracts highest value colors from source color and underlying color to create a result color. Overlay Multiplies if source color is darker than the underlying color, and screens if the source color is lighter than the underlying color. Produces saturated colors. Blending with 50% gray produces no change. Soft Light Darkens or lightens the color channel values of the underlying layer, depending on the source color. The result is similar to shining a diffused spotlight on the underlying layer. If the source color is lighter than 50% gray, the result color is lighter than the underlying color, as if dodged. If the source color is darker than 50% gray, the result color is darker than the underlying color, as if burned. Hard Light Color multiplies if the underlying color is darker than 50% gray, and screens if underlying color is lighter than 50% gray. The result is similar to shining a harsh spotlight on the layer. Vivid Light Burns or dodges the colors by increasing or decreasing the contrast, depending on the underlying color. If the underlying color is lighter than 50% gray, the layer is lightened because the contrast is decreased. If the underlying color is darker than 50% gray, the layer is darkened because