Midi programmer

Author: m | 2025-04-25

producer at Midi Programmer / Drum Programmer Experience: Midi Programmer / Drum Programmer Location: Nashville 7 connections on LinkedIn. View Gerald Gardiner’s profile on LinkedIn, a

MIDI Solutions Footswitch Controller Programmable MIDI

Home / Products / Stereoping Programmer Waldorf Pulse 1 Description Stereoping Programmer Midi Controller loaded with Waldorf Pulse 1 midi program and Pulse faceplate. This is the best way to control your Pulse synthesizer! Very limited stock. Includes Manual & Power Supply.Retro Gear Shop is the only Stereoping authorized dealer in the USA! Features The Stereoping ‘Synth Programmer’ is the next logical step after our successful Synth Controller. It allows direct access to all parameters of your favorite music synthesizer – with 45 pots, 4 endless dials, a 2×16 character display and 7 old-school pushbuttons. High quality electronic parts in a tough and cute steelcase Made in Germany. The Synth Programmer will be available in several editions, each highly specialized and optimized in visual design and firmware to get the most out of the supported synthesizer. The programmer will be connected to your synth in a loop (MIDI IN to MIDI OUT and vice versa) for both to use the same initial patch-parameter values. On turning a knob the display shows – besides the new – also the ‘old’ value for targeted, non-destructive editing. Of course the programmer has a second MIDI IN jack to be connected to your DAW or sequencer. Incoming Midi data will be merged with the parameter changes from the frontpanel and will be sent together into your synthesizer. You can tweak the sound while the sequencer fires notes into the synth at the same time. The 45 most important parameters are assigned directly to pots. The remaining are clustered in groups and quickly accessible over display and encoders. One feature we always loved on vintage synthesizers is the Chord Memory. We therefore thought it would be nice to integrate one in the Synth Programmer. Each Synth Programmer comes with a Chord Memory. We therefore thought it would be nice to integrate one in the Synth Programmer. A learnt chord (up to 6 notes) can be transposed on the keyboard by pressing just one key. The Chord Memory of the Synth Programmer does not only memorize one chord, it offers five, each with it’s own strum DescriptionThe programmer will be connected to your synth in a loop (MIDI IN to MIDI OUT and vice versa) for both to use the same initial patch-parameter values. On turning a knob the display shows – besides the new – also the ‘old’ value for targeted, non-destructive editing. Of course the programmer has a second MIDI IN jack to be connected to your DAW or sequencer. Incoming Midi data will be merged with the parameter changes from the frontpanel and will be sent together into your synthesizer. You can tweak the sound while the sequencer fires notes into the synth at the same time.The 45 most important parameters are assigned directly to pots. The remainings are clustered in groups and quickly accessible over display and encoders.One feature we always loved on vintage synthesizers is the Chord Memory. We therefore thought it would be nice to integrate one in the Synth Programmer. A learnt chord (up to 6 notes) can be transposed on the keyboard by pressing just one key. The Chord Memory of the Synth Programmer does not only memorize one chord, it offers five, each with it’s own strum delay! These five ‘Chord-Slots’ can be swapped quickly by midi notes to play or automate the most complex chord progressions. All your learnt chords will be saved automatically and are instantly available after the next powerup. Only logged in customers who have purchased this product may leave a review.

Leonardo Silva - MIDI Programmer - Supreme MIDI

Delay! These five ‘Chord-Slots’ can be swapped quickly by midi notes to play or automate the most complex chord progressions. All your learnt chords will be saved automatically and are instantly available after the next powerup.Each Synth Programmer comes with a decent, detailed, printed operation manual in english. For the DIY kit we will offer a pictured building instructions PDF. The kit is complete: all parts, pre-programmed MPU, knobs and a tough steelcase with faceplate. Specifications Synth Programmer EditionsThe Synth Programmer will be offered in 6 Editions, each carefully designed and programmed to get the most of the targeted synthesizer. It is NOT possible to swap the editions directly on the programmer. This would not make any sense – the faceplate would not match anymore. The Matrix does not have any Wave Envelope and the Microwaves Oscillators have no Crossmodulation e.g. But you can dump any edition into the programmer, so you can safely try out all the others. We also will offer faceplates separately. If you decide to permanently swap to another edition – no problem.The edition for Waldorf Pulse 1 will offer a dedicated knob for each parameter, except Triggermode ENV 1 & 2 which have to share one. Although the count of knobs and parameters would have fitted exactly we prefered having a DRIVE knob instead of wasting the last one for Env 2 Triggermode. DRIVE allows to raise or lower the level of all 3 Oscillators together without changing their level’s relation. Very helpful for tuning the filter overdrive of the Pulse. The edition also supplies Octave + and – buttons, a paraphonic mode, saving 25 additional patches (with names) and much more to make things easier with the Pulse 1.Weight: 5.6lbsDimensions: Width: 19"Front height: 2.5" (bottom to knob top)Rear height:3.5" (bottom to knob top)Depth: 5.25" (3U rack height)Stereoping Programmer Waldorf Pulse 1 ManualStereoping Programmer Waldorf Pulse 1 Firmware V1.01. producer at Midi Programmer / Drum Programmer Experience: Midi Programmer / Drum Programmer Location: Nashville 7 connections on LinkedIn. View Gerald Gardiner’s profile on LinkedIn, a

Midi Programmer's Handbook - eBay

The Value knob (which wasn't present on the D50), but not the numeric keypad, which is a great shame. But there's another unexpected bonus with every VC1...I was contemplating Roland's claims that the VC1 and D50 are identical when a thought occurred to me. I went and unwrapped my rarely used PG1000 hardware D50 programmer, connected its MIDI output and input to the sockets on the back of the XT and... Blimey! It worked. As far as I could tell, the VC1 responds to the D50's dedicated programmer as the D50 itself does, partial by partial, tone by tone, and patch by patch. You don't even have to be viewing the appropriate page for the PG1000 to be able to do its stuff; just move a slider, and listen to the sound change. Inevitably, there are a couple of inconsistencies; for example, the PCM select slider on the PG1000 travels from 01 to 100, so the new samples in locations 101 to 128 are unobtainable, but I'm nonetheless amazed by this degree of compatibility.Despite all the good stuff, I did uncover a few problems during my time with the VC1. Firstly, don't follow the instructions in the manual regarding Bulk Dumping from the VC1 to a D50: they don't work. Instead, select a patch in the VC1 block you wish to dump, and then request the dump from the D50. Once it's complete, the D50 will appear to lock up, so press Exit. The screen will say 'Cancelled' but you'll find that all 64 patches have arrived at their destinations nevertheless. Secondly, dumping patches from the D50 to the VC1 (ie. in the other direction) also fails when you follow the instructions in the manual. I found that you have to add a second MIDI cable so that the two OSC Playback, MIDI, and all timecode protocols are unrestricted. Onyx Elite With a Key attached, the software runs in LIVE 128 mode. All 128 universes are completely free to use for ONYX USB, Art-Net, and sACN output. 5 DyLOS Zones are enabled. OSC Playback, MIDI, and all timecode protocols are unrestricted. New fixture library format This version introduces a new fixture library format, provided by the library partner AtlaBase. This library includes over 50.000 fixture profiles Existing fixtures will remain in the showfile but can be updated using the "Exchange" function in the patch menu User fixtures and the Library Editor are not affected New Fixture Libraries are only available for Version 4.6 and higher Daily update of new library package on obsidiancontrol.com Single file library package (no longer an executable) Faster software install, bootup, library updates Library data is perfectly synchronized with Capture fixtures, allowing for easy import of the patch over CITP Revised Parameter Defaults and Snap Rules(e.g.additive LED fixtures now have all colors defaulted to 100%) -> this can affect existing programming and cues and presets must be adjusted if needed. Enhanced real world values (e.g. Zoom Ranges, Shutter Speeds, Framing Blade Angles) Improved parameter names and feature descriptions Enhanced gobo and effects bitmaps, color buttons for CTC and Color Wheel Selections New Features New virtual controls icon, expands bank and parameter control into full Playback and Programming Bar Added "DMX OUT" option in LOAD popup window to "freeze" effects output into the programmer Effect/timing channels can now also be used as "[SELECTION] @ Parameter Button" for direct entry and fanning on the command line (digital values only: swing ranges 0-170, other attributes 0-1000) Time for automatically loading the current show on startup can now be configured Added fixture type filter to programmer and cue values panels;

Midi Programmer's Handbook: - BooksRun

Premier Key, NX Wing, or NX 2 in USB mode attached, the software runs in LIVE 64 mode. All 64 universes are completely free to use for ONYX USB, Art-Net, and sACN output. 5 DyLOS Zones are enabled. OSC Playback, MIDI, and all timecode protocols are unrestricted. Onyx Elite With a Key attached, the software runs in LIVE 128 mode. All 128 universes are completely free to use for ONYX USB, Art-Net, and sACN output. 5 DyLOS Zones are enabled. OSC Playback, MIDI, and all timecode protocols are unrestricted. New fixture library format This version introduces a new fixture library format, provided by the library partner AtlaBase. This library includes over 50.000 fixture profiles Existing fixtures will remain in the showfile but can be updated using the "Exchange" function in the patch menu User fixtures and the Library Editor are not affected New Fixture Libraries are only available for Version 4.6 and higher Daily update of new library package on obsidiancontrol.com Single file library package (no longer an executable) Faster software install, bootup, library updates Library data is perfectly synchronized with Capture fixtures, allowing for easy import of the patch over CITP Revised Parameter Defaults and Snap Rules(e.g.additive LED fixtures now have all colors defaulted to 100%) -> this can affect existing programming and cues and presets must be adjusted if needed. Enhanced real world values (e.g. Zoom Ranges, Shutter Speeds, Framing Blade Angles) Improved parameter names and feature descriptions Enhanced gobo and effects bitmaps, color buttons for CTC and Color Wheel Selections New Features New virtual controls icon, expands bank and parameter control into full Playback and Programming Bar Added "DMX OUT" option in LOAD popup window to "freeze" effects output into the programmer Effect/timing channels can now also be used as "[SELECTION] @ Parameter Button" for direct entry and fanning on the command line (digital values only: swing ranges 0-170, other attributes 0-1000) Time for automatically loading the current show on startup can now be configured Added fixture type filter to programmer and cue values panels; fixes and improvements Added Art-Net/sACN source IP input filtering Added support for sACN (E1.31) Synchronization and Art-Net ArtSync packets Added Capture (CITP) integration (patch, selection, parameter sync) Added import of patch (exported from another Onyx show file) CITP integration pulls in 3D positions to compose a top and front 2D plan of the stage (layer per fixture type) Added MSD (CITP) integration Added DEFAULT command to put default values in programmer Added current universe fixture filter in patch Added patch options for excluding fixtures from GM, SWOP, remote programming and for rotating bars and panels at DMX address level Added option to turn off smart grid ordering of fixtures in FixtureCenter DYLOS DyLOS can now apply pixel mapping for any fixture parameter between 2 and 3 presets Added DyLOS generators: - Patterns: Plasma, Voronoi - 2D Shapes: Bouncing Balls, Bouncing Shapes, Meta-balls, Floweroid - Nature: Fire, Steam Added color palettes to Dylos (First row of 256 pixels in PNG image are used

The MIDI programmer's handbook - Alibris

When networked - Fixed GTQ X,Y command on UDP - Fixed DyLOS engine ignoring moved media content until restart - Fixed updating presets after EDIT PRESET session - Fixed parking fixtures to no longer ignore submaster/inhibitor levels 4.10.1263 (29/03/2024) ====================== Notes ------------ This version requires Windows 10 or Windows 11 Home/Pro/Enterprise 64-bit for PC All consoles require ONYX OS 4.10 (NX1 Requires BIOS update before installing ONYX OS 4.10) Compatible with Obsidian NX4, NX2, NX1, NX K, NX P, NX Wing, NX Touch, NX-DMX, NX-Sync Compatible with M-Series M6 (with ONYX Upgrade Kit), M2PC, M-Touch, M-Play, Martin 2-Port USB-DMX devices Improved DyLOS factory content (26_Sep_2023): palette and alpha fixes, added (alpha) mask, transition, and palette gradient folders. Please note: Many parameter defaults and fixture behaviors have changed. Verify existing shows carefully, as they may require programming adjustments. New Features ------------ Added output overrides (Park, Default, Highlight, Offset) as special presets that are edited in a dedicated programmer context - added parameter-level parking - added channel-level offsets - improved default value editing - improved highlight/lowlight editing Added output override feedback to live output Added possibility to merge programmer contents into default values from RECORD popup Allow P/T values in highlight/lowlight presets Added "Copy from" between highlight/lowlight presets Added Support for Telnet and UDP commands: CLRCLR, GQL, RQL, PQL, GTQ, RAO, RAQLDF, RAQLODF, RAQLO, RAQL, SQL Added input processors to DyLOS for converting external inputs into modulators - added video and palette input processor (NDI) - added audio input, filter and analyzer processors (NDI, ASIO) - added Ableton Link support with Quantum Phase Synchronization and tempo changes in session (input processor) - added MIDI Clock support (input processor) - added beat-tap processor (replacing former global beat for chases) - added reference processor (to decouple source input slot programming in presets and cues. producer at Midi Programmer / Drum Programmer Experience: Midi Programmer / Drum Programmer Location: Nashville 7 connections on LinkedIn. View Gerald Gardiner’s profile on LinkedIn, a Midi Programmer's Handbook [De Furia, Steve, Scacciaferro, Joe] on Amazon.com. FREE shipping on qualifying offers. Midi Programmer's Handbook

MIDI programmer - synth-diy.org

October 20th, 2022It is with great sadness that we share with you the passing of one of our company’s co-founders, Nebojsa Djogo, at the age of 52.Originally from Sarajevo, Bosnia and Herzegovina, Nebojsa relocated to Ottawa, Ontario, to pursue a successful career in computer programming. It was there in 1999 that Nebojsa first met Deskew co-founder Dr. David Jameson, who came from IBM Research, having held a series of senior positions. Nebojsa was subsequently hired for some contract work at David’s first startup, DigiPortal Software. Recognizing that their approach to programming was strikingly similar, David and Nebojsa created Deskew Technologies a couple of years later to explore opportunities in which they could collaborate closely.David, who considered Nebojsa one of his closest friends, remembers him as a gifted programmer who was meticulous when it came to usability and a program’s front-end look and feel.But it was David’s and Nebojsa’s shared love for music and live performance that galvanized their 20-year working relationship. Each of them made live performances an active part of their lives, Nebojsa playing guitar and David playing keyboards in different bands. And while Nebojsa’s initial interest was in world music, he later embraced electronic music and MIDI-based programming.As talented performers, David and Nebojsa recognized early on that the software available to live musicians simply wasn’t good enough. They saw an opportunity to change the live performance world by building something better based on their own experience on stage. The result was Gig Performer.Nebojsa worked passionately on Gig Performer and was relentlessly dedicated to serving musicians using the software, until his illness took its toll. Yet to the end, he was very kind, diplomatic and helpful in the community, and will be greatly missed.In remembering Nebojsa, our team remains deeply committed to building Gig Performer and to continuing to bring powerful new features to our groundbreaking, live performance software. But at this moment, we at Deskew Technologies believe it is important to recognize Nebojsa for his immense talent as a computer programmer, his passion for music, his lasting friendship, and his vast contribution to our company, today and always.The Deskew Technologies Team