Nls buss

Gear Addict Joined: Jan 2015 Posts: 350 🎧 10 years Quote: Originally Posted by screentan ➡️ This got me thinking and I have a few questions please: What level do you hit NLS at? Where about on the NLS meter is the needle peaking? Because you are mixing lower, the bit rate resolution of the audio signal will be lower as the wave form has less amplitude? So this may be a trade off in bit rate quality even though it sounds better overall going into the NLS lower. I am not an expert on this subject, but there are some really great threads about the issue on the forum. As I understand the "lower bit rate resolution" only translates as less signal to noise ratio, which when tracking at 24 bit is not an issue as there is plenty to spare.I hit the NLS and other analog emulation plugins with an average -18 and peaks at maybe -12 or -10 on the NLS VU meters, which is roughly equivalent to analog 0db. (I love the new meter in PT11 which actually allows you to set where 0 db is so you can track with headroom built in and still feel good about it!) I don't sweat it if it gets up there a ways and still sounds good, though I listen very carefully to anything past -10 on the VU meter. Sometimes hitting the plugin harder can give a nice, subtle analog sounding "squash", but sometimes it isn't the sound I am looking for. Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years A good way to check is a few ways, (NLS Buss Only)1. Run a 808 kick with the drive at +3.0 to +12.2. Run a Open Hihat with the drive with the same setting above.You will hear a distortion in the SSL Buss Plugin only. When switching to the EMI or the Neve, the sound will automatically clear up and you will notice the bad distortion really clearly.I will turn Waves onto this forum/Thread/Post in case they have questions.Thanks guys,Marc Gear Maniac Joined: Mar 2012 🎧 10 years Quote: Originally Posted by M2E ➡️ I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Hey Marc, how can I get this update? I have Waves v9, but NLS wup is expired. Is it possible to get the last v9 update?thanks! Registered User Joined: Aug 2014 🎧 10 years Just run the woli installer from here:Download V9 | WavesYou can always update plugins from the current

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Using Avid’s Eleven plug-in. I also placed an NLS Channel module on the first insert point of that effects return channel as well.I set both NLS Channel modules to bypass and first listened to the unmodified recorded bass signal coming into the console from the Virtual Soundcheck Pro Tools rig. I listened through the PFL solo bus and then routed it to the stereo outputs. I monitored the signal both in my headphones and through the Genelec 1031’s I’m using for nearfields at this particular rehearsal. Once I was familiar with the original sound, I toggled to the VCA page (Fig. 2) and assigned the bass DI and bass effects signals to VCA 1. This mixer section lets the user affect all inputs assigned to the VCA group from the various master VCA controls. I then switched the effect in on the input channels.The first thing I noticed was that the sense of space occupied by the bass seemed to expand. I dialed up various settings on the Drive control adding increments of harmonic distortion to the signals. I decided that a Drive level of 4.0 for the DI signal and 3.0 for the amp simulation yielded the most satisfactory result when listening to the PFL’d signal. I was impressed by the incredible degree of positive change imparted to the sound of the bass by simply running through the individual Channel modules. The audio product was discernibly more complex and accessible to the ear.My personal preference for the overall Studio setting on both the Channel and Buss NLS modules was the “Spike” SSL 4000 option. If I was impressed by the results from the properties the NLS Channel imparted to the input signal, then I was blown away when I experienced the overall effect by engaging the Buss module (Fig.

Just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I have noticed that. Most of the demos and tutorials seem to take it as an entire desk.It does not mean you have to do it that way Spike may be good on the drums, but Nevo might be better on musicDon't forget to use the buss Lives for gear Joined: May 2012 Posts: 1,334 🎧 10 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with one desk, as this would be "truer" to the original sound and would more accurately recreate the tonality and character of that particular desk. This is, of course, theoretical — in practice, you might find that you like the sound of using the SSL across your drums, the EMI across your synths, and the Neve on the stereo bus.Personally, I'm not 100% sold on software emulations as a means to recreate the sound of an analog console. I had an album mixed on an SSL 4000E, and that sound is quite difficult to replicate ITB. Not impossible, of course, but no small feat by any means. Console emulations will help get you closer, but they're just one piece of the puzzle. I often end up using just a few instances of VCC to soften up harsh guitars and one instance on the stereo bus to give life to the overal mix. But I also know people who use NLS, VCC, Satson, etc. across every track, and their mixes definitely sound fantastic. Whatever works! Lives for gear Joined: Nov 2007 🎧 15 years Quote: Originally Posted by tkaitkai ➡️ I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with