Nls buss
Author: c | 2025-04-24
Waves NLS includes two components each in two channel configurations: NLS Channel Mono NLS Channel Stereo NLS Buss Mono NLS Buss Stereo All NLS components have IRXU
Waves NLS Buss and Channel - Gearspace
Gear Addict Joined: Jan 2015 Posts: 350 🎧 10 years Quote: Originally Posted by screentan ➡️ This got me thinking and I have a few questions please: What level do you hit NLS at? Where about on the NLS meter is the needle peaking? Because you are mixing lower, the bit rate resolution of the audio signal will be lower as the wave form has less amplitude? So this may be a trade off in bit rate quality even though it sounds better overall going into the NLS lower. I am not an expert on this subject, but there are some really great threads about the issue on the forum. As I understand the "lower bit rate resolution" only translates as less signal to noise ratio, which when tracking at 24 bit is not an issue as there is plenty to spare.I hit the NLS and other analog emulation plugins with an average -18 and peaks at maybe -12 or -10 on the NLS VU meters, which is roughly equivalent to analog 0db. (I love the new meter in PT11 which actually allows you to set where 0 db is so you can track with headroom built in and still feel good about it!) I don't sweat it if it gets up there a ways and still sounds good, though I listen very carefully to anything past -10 on the VU meter. Sometimes hitting the plugin harder can give a nice, subtle analog sounding "squash", but sometimes it isn't the sound I am looking for. Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years A good way to check is a few ways, (NLS Buss Only)1. Run a 808 kick with the drive at +3.0 to +12.2. Run a Open Hihat with the drive with the same setting above.You will hear a distortion in the SSL Buss Plugin only. When switching to the EMI or the Neve, the sound will automatically clear up and you will notice the bad distortion really clearly.I will turn Waves onto this forum/Thread/Post in case they have questions.Thanks guys,Marc Gear Maniac Joined: Mar 2012 🎧 10 years Quote: Originally Posted by M2E ➡️ I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Hey Marc, how can I get this update? I have Waves v9, but NLS wup is expired. Is it possible to get the last v9 update?thanks! Registered User Joined: Aug 2014 🎧 10 years Just run the woli installer from here:Download V9 | WavesYou can always update plugins from the current
Gearspace - Waves NLS Buss and Channel
MSI Stereo Buss Compressor - KVR Audio.Stereo Buss Compressor free effect plug-in at Minimal.Download Free Stereo buss compressor plugin: GlowComp by.NLS Buss by Waves - Plugins (VST, AU) | Splice.6+ Best Free Compressor VST Plugin List (Updated 2022)!.MSI - MasterMix Buss Compressor v1.0 - HY2ROG3N - Download MSI.MSI Stereo Buss Compressor VST - Download - UpdateStar.Download Free Stereo bus compressor plugin: Bus Compressor by.MSI Stereo Bus Compressor for Windows 7/Vista/XP - Hitsquad.Download Free Stereo bus compressor plugin: Density mkIII by.Stereo Buss Compressor VST Plugin By Minimal System.Top 11 Free Compressor Plugins 2023 (VCA, Vari-Mu, FET, Digital).Top 10 FREE Mixing & Mastering Plugins 2019 - VSTBuzz.MSI Stereo Buss Compressor - KVR Audio...Stereo Buss Compressor free effect plug-in at Minimal..Download Free Stereo buss compressor plugin: GlowComp by...NLS Buss by Waves - Plugins (VST, AU) | Splice.MSI Stereo Buss Compressor is a free compressor VST plugin developed by Studio Toolz. Compatible OS(s): Windows. This plugin is perfect for those producers looking to add the finishing touches to their latest masterpiece. Modelled on legendary buss compressors from classic analogue consoles the MSI Stereo Buss Compressor could be just what you. Get NLS Buss by Waves and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free.6+ Best Free Compressor VST Plugin List (Updated 2022)!.Apr 15, 2019 2 Bitter Sweet V3 by FLUX. FLUX is a very well-known company with amazing high-quality plugins respected by many audio professionals. Bitter Sweet is their freeware audio sweetening tool. Basically, this is a tone and transient shaper plugin which can make your individual tracks go from biting hard to silky smooth..MSI - MasterMix Buss Compressor v1.0 - HY2ROG3N - Download MSI.>>>>> DOWNLOAD: Msi stereo buss vst free download 17 Best Free Compressor VST Plugin List (Updated 2022)!.. GbSoundlab - Tape Bus - Download Free VST Plugins. SUB is a vintage analog drum module (drum synthesizer). It recreates many classic drum sounds and even comes with a sub-frequency oscillator. It features 18 analog drum sounds, mixer with pan and volume, and HD scalable interface. SUB..MSI Stereo Buss Compressor VST - Download - UpdateStar.Nov 6, 2022 Lastly, its available for both Windows and Mac OS 32/64-bit in VST2, VST3, AU and AAX formats. Oh, and you can download the plugin instantly but once you open it, it will prompt you to create an account, but luckily its not too complicated and takes like 15WAVES NLS Channel / Buss VCA
Version (v9 in this case) without wup. Without wup you wont get v10 or any plugin additions to bundles. Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years Quote: Originally Posted by Pingafuego ➡️ Hey Marc, how can I get this update? I have Waves v9, but NLS wup is expired. Is it possible to get the last v9 update?thanks! Hey Pingafuego, I think you should be able to just download it from the Waves website.To tell you the truth, I'm new to the whole WUP thing since I just WUP'ed mine when they merged TDM/RTAS/AAX/VST/AU on March 1st, into one plugin. I had plugins that were version 6 (RenMaxxBundle/L3-16Bundle) and so on. If I feel like I don't have to upgrade, I won't. Anyway, I think you should be good until they go to version 10.Then you should worry...Marc Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years Sounds like Waves have fixed the issue with the Buss plugin.Sounds a lot better. Also, you can clearly hear the harmonics now.What do you guys think?Marc Lives for gear Joined: Nov 2014 Posts: 3,505 🎧 10 years You can update without a valid WUP. You only need it to transition to major updates, in our case it will be v10, if and ever that will happen. Just login and download.Download V9 | WavesIncidentally, here are their Release Notes. Installers Release Notes | WavesWhat actually version are you running?? The latest is 9r29, it mentions Drive no longer effects the noise level, but I don't see anything SSL related on it. Perhaps that's what might be triggering the distortion?? Or perhaps it was simply characteristic of the SSL itself?? I really don't know the details about the issue or have an SSL to run the plugin against. There were a few fixes back in 9r23 as well.Personally I can wait a lot longer for version 10, I want to avoid updating my WUP as well for as long as possible. Lives for gear Joined: Nov 2014 Posts: 3,505 🎧 10 years Oh seems like Mace bet me to the punch!! LOL Lives for gear Joined: Jul 2012 🎧 10 years Quote: Originally Posted by screentan ➡️ This got me thinking and I have a few questions please: What level do you hit NLS at? Where about on the NLS meter is the needle peaking? Because you are mixing lower, the bit rate resolution of the audio signal will be lower as the wave form has less amplitude? So this may be a trade off in bit rate quality even though it sounds better overall going into the NLS lower. I usually set levels to -18dBFS RMS using FreeG as a meter. I don't really worry about peaks at all before I compress.With 24bit and 32bit audio there are in the vast majority of situations no bit rate quality issues to worry about at all. Lives for gear Joined: Nov 2014 Posts: 3,505 🎧 10 years Quote: Originally Posted. Waves NLS includes two components each in two channel configurations: NLS Channel Mono NLS Channel Stereo NLS Buss Mono NLS Buss Stereo All NLS components have IRXU Waves NLS includes two components each in two channel configurations: NLS Channel Mono NLS Channel Stereo NLS Buss Mono NLS Buss Stereo All NLS components have fourNLS Buss by Waves - Audio Tools
Using Avid’s Eleven plug-in. I also placed an NLS Channel module on the first insert point of that effects return channel as well.I set both NLS Channel modules to bypass and first listened to the unmodified recorded bass signal coming into the console from the Virtual Soundcheck Pro Tools rig. I listened through the PFL solo bus and then routed it to the stereo outputs. I monitored the signal both in my headphones and through the Genelec 1031’s I’m using for nearfields at this particular rehearsal. Once I was familiar with the original sound, I toggled to the VCA page (Fig. 2) and assigned the bass DI and bass effects signals to VCA 1. This mixer section lets the user affect all inputs assigned to the VCA group from the various master VCA controls. I then switched the effect in on the input channels.The first thing I noticed was that the sense of space occupied by the bass seemed to expand. I dialed up various settings on the Drive control adding increments of harmonic distortion to the signals. I decided that a Drive level of 4.0 for the DI signal and 3.0 for the amp simulation yielded the most satisfactory result when listening to the PFL’d signal. I was impressed by the incredible degree of positive change imparted to the sound of the bass by simply running through the individual Channel modules. The audio product was discernibly more complex and accessible to the ear.My personal preference for the overall Studio setting on both the Channel and Buss NLS modules was the “Spike” SSL 4000 option. If I was impressed by the results from the properties the NLS Channel imparted to the input signal, then I was blown away when I experienced the overall effect by engaging the Buss module (Fig.Jaycen Joshua NLS BUSS Trick
Just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I have noticed that. Most of the demos and tutorials seem to take it as an entire desk.It does not mean you have to do it that way Spike may be good on the drums, but Nevo might be better on musicDon't forget to use the buss Lives for gear Joined: May 2012 Posts: 1,334 🎧 10 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with one desk, as this would be "truer" to the original sound and would more accurately recreate the tonality and character of that particular desk. This is, of course, theoretical — in practice, you might find that you like the sound of using the SSL across your drums, the EMI across your synths, and the Neve on the stereo bus.Personally, I'm not 100% sold on software emulations as a means to recreate the sound of an analog console. I had an album mixed on an SSL 4000E, and that sound is quite difficult to replicate ITB. Not impossible, of course, but no small feat by any means. Console emulations will help get you closer, but they're just one piece of the puzzle. I often end up using just a few instances of VCC to soften up harsh guitars and one instance on the stereo bus to give life to the overal mix. But I also know people who use NLS, VCC, Satson, etc. across every track, and their mixes definitely sound fantastic. Whatever works! Lives for gear Joined: Nov 2007 🎧 15 years Quote: Originally Posted by tkaitkai ➡️ I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with56 NLS BUSS / CHANNEL - YouTube
Modelled more than one instance per desk?. That question rose when I watched the tutorials and other presentations, no of those used more than one channel and one group, loosing part of the idea modelling a desk (or 3 desks in this case). Gear Head Joined: Jun 2002 Posts: 67 🎧 20 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. Some of the channels can be quite different, but it really depends on the console. The "Mike" console has the most differences from channel to channel. For example, as memory serves I think somewhere around 11 or 12 you get a big bass bump. The "Spike" console channel to channel differences are not nearly as much as "Mike". "Nevo" is most consistent from channel to channel.Dave. Waves NLS includes two components each in two channel configurations: NLS Channel Mono NLS Channel Stereo NLS Buss Mono NLS Buss Stereo All NLS components have IRXU Waves NLS includes two components each in two channel configurations: NLS Channel Mono NLS Channel Stereo NLS Buss Mono NLS Buss Stereo All NLS components have fourComments
Gear Addict Joined: Jan 2015 Posts: 350 🎧 10 years Quote: Originally Posted by screentan ➡️ This got me thinking and I have a few questions please: What level do you hit NLS at? Where about on the NLS meter is the needle peaking? Because you are mixing lower, the bit rate resolution of the audio signal will be lower as the wave form has less amplitude? So this may be a trade off in bit rate quality even though it sounds better overall going into the NLS lower. I am not an expert on this subject, but there are some really great threads about the issue on the forum. As I understand the "lower bit rate resolution" only translates as less signal to noise ratio, which when tracking at 24 bit is not an issue as there is plenty to spare.I hit the NLS and other analog emulation plugins with an average -18 and peaks at maybe -12 or -10 on the NLS VU meters, which is roughly equivalent to analog 0db. (I love the new meter in PT11 which actually allows you to set where 0 db is so you can track with headroom built in and still feel good about it!) I don't sweat it if it gets up there a ways and still sounds good, though I listen very carefully to anything past -10 on the VU meter. Sometimes hitting the plugin harder can give a nice, subtle analog sounding "squash", but sometimes it isn't the sound I am looking for. Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Lives for gear Joined: Nov 2002 Posts: 6,041 🎧 20 years A good way to check is a few ways, (NLS Buss Only)1. Run a 808 kick with the drive at +3.0 to +12.2. Run a Open Hihat with the drive with the same setting above.You will hear a distortion in the SSL Buss Plugin only. When switching to the EMI or the Neve, the sound will automatically clear up and you will notice the bad distortion really clearly.I will turn Waves onto this forum/Thread/Post in case they have questions.Thanks guys,Marc Gear Maniac Joined: Mar 2012 🎧 10 years Quote: Originally Posted by M2E ➡️ I see that Waves released an update on the NLS but, not sure if the NLS Buss plugin is fixed or not.I'm not in the studio and won't be til later.Can someone verify that the distortion issue been fixed?Thanks,Marc Hey Marc, how can I get this update? I have Waves v9, but NLS wup is expired. Is it possible to get the last v9 update?thanks! Registered User Joined: Aug 2014 🎧 10 years Just run the woli installer from here:Download V9 | WavesYou can always update plugins from the current
2025-04-06MSI Stereo Buss Compressor - KVR Audio.Stereo Buss Compressor free effect plug-in at Minimal.Download Free Stereo buss compressor plugin: GlowComp by.NLS Buss by Waves - Plugins (VST, AU) | Splice.6+ Best Free Compressor VST Plugin List (Updated 2022)!.MSI - MasterMix Buss Compressor v1.0 - HY2ROG3N - Download MSI.MSI Stereo Buss Compressor VST - Download - UpdateStar.Download Free Stereo bus compressor plugin: Bus Compressor by.MSI Stereo Bus Compressor for Windows 7/Vista/XP - Hitsquad.Download Free Stereo bus compressor plugin: Density mkIII by.Stereo Buss Compressor VST Plugin By Minimal System.Top 11 Free Compressor Plugins 2023 (VCA, Vari-Mu, FET, Digital).Top 10 FREE Mixing & Mastering Plugins 2019 - VSTBuzz.MSI Stereo Buss Compressor - KVR Audio...Stereo Buss Compressor free effect plug-in at Minimal..Download Free Stereo buss compressor plugin: GlowComp by...NLS Buss by Waves - Plugins (VST, AU) | Splice.MSI Stereo Buss Compressor is a free compressor VST plugin developed by Studio Toolz. Compatible OS(s): Windows. This plugin is perfect for those producers looking to add the finishing touches to their latest masterpiece. Modelled on legendary buss compressors from classic analogue consoles the MSI Stereo Buss Compressor could be just what you. Get NLS Buss by Waves and learn how to use the plugin with Ableton Live, Logic, GarageBand, and FL Studio for free.6+ Best Free Compressor VST Plugin List (Updated 2022)!.Apr 15, 2019 2 Bitter Sweet V3 by FLUX. FLUX is a very well-known company with amazing high-quality plugins respected by many audio professionals. Bitter Sweet is their freeware audio sweetening tool. Basically, this is a tone and transient shaper plugin which can make your individual tracks go from biting hard to silky smooth..MSI - MasterMix Buss Compressor v1.0 - HY2ROG3N - Download MSI.>>>>> DOWNLOAD: Msi stereo buss vst free download 17 Best Free Compressor VST Plugin List (Updated 2022)!.. GbSoundlab - Tape Bus - Download Free VST Plugins. SUB is a vintage analog drum module (drum synthesizer). It recreates many classic drum sounds and even comes with a sub-frequency oscillator. It features 18 analog drum sounds, mixer with pan and volume, and HD scalable interface. SUB..MSI Stereo Buss Compressor VST - Download - UpdateStar.Nov 6, 2022 Lastly, its available for both Windows and Mac OS 32/64-bit in VST2, VST3, AU and AAX formats. Oh, and you can download the plugin instantly but once you open it, it will prompt you to create an account, but luckily its not too complicated and takes like 15
2025-04-08Using Avid’s Eleven plug-in. I also placed an NLS Channel module on the first insert point of that effects return channel as well.I set both NLS Channel modules to bypass and first listened to the unmodified recorded bass signal coming into the console from the Virtual Soundcheck Pro Tools rig. I listened through the PFL solo bus and then routed it to the stereo outputs. I monitored the signal both in my headphones and through the Genelec 1031’s I’m using for nearfields at this particular rehearsal. Once I was familiar with the original sound, I toggled to the VCA page (Fig. 2) and assigned the bass DI and bass effects signals to VCA 1. This mixer section lets the user affect all inputs assigned to the VCA group from the various master VCA controls. I then switched the effect in on the input channels.The first thing I noticed was that the sense of space occupied by the bass seemed to expand. I dialed up various settings on the Drive control adding increments of harmonic distortion to the signals. I decided that a Drive level of 4.0 for the DI signal and 3.0 for the amp simulation yielded the most satisfactory result when listening to the PFL’d signal. I was impressed by the incredible degree of positive change imparted to the sound of the bass by simply running through the individual Channel modules. The audio product was discernibly more complex and accessible to the ear.My personal preference for the overall Studio setting on both the Channel and Buss NLS modules was the “Spike” SSL 4000 option. If I was impressed by the results from the properties the NLS Channel imparted to the input signal, then I was blown away when I experienced the overall effect by engaging the Buss module (Fig.
2025-04-08Just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I have noticed that. Most of the demos and tutorials seem to take it as an entire desk.It does not mean you have to do it that way Spike may be good on the drums, but Nevo might be better on musicDon't forget to use the buss Lives for gear Joined: May 2012 Posts: 1,334 🎧 10 years Quote: Originally Posted by Harry_O ➡️ One comment/question:I just purchased the NLS, never believed I will, but price (~€20) was too lucrative to pass, after reading some very positive user comments. After reading the manual and watching all the available tutorials/presentations in the Yotube, I wonder why NONE of the presentations have tested in practice the results of the option using different buss groups and variation of different channel modellings. I guess the sonic differencies of different channels and groups of the SAME desk are rather subtle, but why model those if none use that option?Your user experience of that? How often you use different groups just because of getting variation, or is it just for separating and adjusting different song elements? P.s. I have't not yet started my first NLS session. I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with one desk, as this would be "truer" to the original sound and would more accurately recreate the tonality and character of that particular desk. This is, of course, theoretical — in practice, you might find that you like the sound of using the SSL across your drums, the EMI across your synths, and the Neve on the stereo bus.Personally, I'm not 100% sold on software emulations as a means to recreate the sound of an analog console. I had an album mixed on an SSL 4000E, and that sound is quite difficult to replicate ITB. Not impossible, of course, but no small feat by any means. Console emulations will help get you closer, but they're just one piece of the puzzle. I often end up using just a few instances of VCC to soften up harsh guitars and one instance on the stereo bus to give life to the overal mix. But I also know people who use NLS, VCC, Satson, etc. across every track, and their mixes definitely sound fantastic. Whatever works! Lives for gear Joined: Nov 2007 🎧 15 years Quote: Originally Posted by tkaitkai ➡️ I think most NLS users fall into one of two camps: people who use it to emulate the sound of highly revered consoles, and people who use it as an overt distortion unit.In the case of using it as a console emulation, it makes sense to stick with
2025-04-11(The Cure, Siouxsie and the Banshees, Dido, Faithless, Manic Street Preachers, U2), heard on such timeless recordings as Pink Floyd’s The Dark Side of the Moon; and the Neve 5116 console custom-made for Yoad Nevo (Bryan Adams, Pet Shop Boys, Sugababes, Goldfrapp, Air).I have been using Waves’ SSL Buss Compressors since they were introduced to warm up the individual outputs of my Avid VENUE desk. I was therefore excited to see if utilizing more modeled 4000 series SSL console sounds would benefit my live mixes in the same positive manner. I gave some thought to which specific inputs might benefit most from analog summing behavior. My immediate conclusion was to experiment with the three mono cornerstones of any live mix: kick drum, bass guitar and lead vocal.A property that I have missed in the digital world is the way mono signals are spread evenly and richly across the stereo image created by a top-performing analog console. “Center” in digital technology always seems rather narrow and confined to my ears — a small line down the middle, while I would rather hear a statement with a broad stroke. I always find myself looking for ways to enlarge a sound’s center presence without simply resorting to increasing volume. I decided that a good experimental candidate for the initial implementation of NLS plug-in would be on bass guitar.» In the Real WorldFollowing the instructions in the user guide, I placed an NLS Channel module (Fig. 1) on the first insert point of the bass input strip (the VENUE offers four insert points) to simulate the coloration of an analog preamp and a Buss module on the first insert of the stereo bus. In order to create a little acoustic space around a bass DI signal, I often add in a little amp/cabinet simulation
2025-04-12